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Piano Sonata No. 18 (Beethoven)
・ Piano Sonata No. 18 (Mozart)
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Piano Sonata No. 18 (Beethoven) : ウィキペディア英語版
Piano Sonata No. 18 (Beethoven)

The Piano Sonata No. 18 in E major, Op. 31, No. 3, is a sonata for solo piano by Ludwig van Beethoven, the third and last of his Op. 31 piano sonatas. The work dates from 1802. A playful jocularity is maintained throughout the piece, earning it the occasional nickname of ''The Hunt'', although like many of Beethoven's early works, the 'jocular' style can be heard as a facade, concealing profound ideas and depths of emotion.
Roger Kamien has performed a Schenkerian analysis of facets of chords of the sonata.
The sonata consists of four movements:
#''Allegro'': Beethoven's progressive harmonic language is apparent from the very first chord of the piece (3rd inversion of the 11th on dominant B); the stability of a tonic chord in root position is delayed until bar 8. The expressive harmonic colour, coupled with the changes of tempi in the introduction (1-18), creates an evocative opening, reminiscent of the improvisatory style of C. P. E. Bach's piano sonatas. This opening cell is repeated extensively throughout the movement - at the start of the development (89), in the recapitulation (137), and also during the coda (transposed into the subdominant A (220), and then at its original pitch (237)). The codetta (33-45) explores the opening chord, but in a minor variation (with a C, implying ii7 of E minor), even appearing in bar 36 in the exact spacing (albeit with different spelling) of the 'Tristan chord', written by Richard Wagner some 55 years later.
#''Scherzo. Allegretto vivace'': This scherzo is different from regular scherzos, as it is written in 2/4 time as opposed to 3/4, and because it is in sonata form rather than ternary form. This wasn't the first time Beethoven wrote a scherzo that wasn't in ternary form; the Op. 14, No. 2 sonata has a scherzo, in rondo form, as its third movement. However, this movement still contains many characteristics of a scherzo, including unexpected pauses and a playful nature. The theme is in the right hand while the left hand contains staccato accompaniment.
#''Menuetto. Moderato e grazioso'': It is the most serious of the movements, with a sweet and tender nature presented in the piece. Both the minuet and the trio are presented in E major.
#''Presto con fuoco'': A very vigorous and rolling piece suspended by continuous, rollicking eighth notes in the bass.
The form of the entire sonata is unusual because it does not have a slow movement.
==Adaptations==

*Camille Saint-Saëns used the Trio section of the Menuetto as the theme for his 1874 ''Variations sur un thème de Beethoven'', Op. 35, for two pianos.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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